A liminal process

On the face of it, my painting This ship has sailed is part of my visual art practice – but it has its own space somewhere between design, illustration and sketching. It’s of the massive, empty greenhouses in West Ham Park once used to grow plants for City of London events. … Read More

Plaiting time

I’ve done the cover illustration for Family Matters, the third volume in a poetry collaboration between the writers’ collective Dark Angels and Paekakariki Press, a letterpress printing workshop in London. In conversation with John Simmons of Dark Angels and writers’ organisation 26 for the 26 newsletter, we talk about why … Read More

The shape of creative practice

I’d done a guest lecture two years ago for postgraduate students at Loughborough University London on how East London has shaped my creative practice. Updating it for a new cohort, one thing stood out: change. My work has broadened and become more ‘overlappy’. The geography of creative activity in East … Read More

Two views

I’m thrilled to be selected for my first ever artist residency, with Tower Gallery, at the extraordinary Memorial Community Church in East London, in a studio built as its projection room. It has views into the church and across to the Royal Docks. Over the Summer I’ll be making some … Read More

A bridge roll and a bridge roll

Bridges have been writ large in my year, thanks to writers’ organisation 26. I’ve been artist partner to writer Jonathan Holt for 26 Bridges and invited to take part in 26 Twinned Bridges, a different kind of project pairing writers in the UK and New Zealand, each writing a centena … Read More

On National Illustration Day 2025

Well, it’s been quite a year for variety… In a thrilling project for independent perfumer Sarah McCartney of 4160 Tuesdays, I got to illustrate Vianne’s Confession, Sarah’s collaboration with author Joanne Harris for the back-story to Chocolat. It’s been wildlife central for London heritage, art and ecology site Cody Dock, … Read More

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