Pie. Appropriately for Autumn, it’s the topic of the latest episode of Studio Snack, a podcast in collaboration with Narcis Sauleda. Which brings me to pie charts, this month’s creative experiment. As a designer, I’ve done a lot of these. There are all sorts of ways to make them look … Read More
I’ve live illustrated the past two Wordstock events by writers’ organisation 26 at the gorgeous Conway Hall Library; this year, I was there as a participant. But draw? Of course I did… I always have a sketchbook about my person, a small thing hand bound from waste. And I use … Read More
It’s easy to miss. London Bridge writes its name where passing boats might see it. But when I typeset Jonathan Holt’s poem London Bridge on London Bridge to enclose with our lithograph for 26 Bridges, a project by writers’ organisation 26 to raise money for a UCLH specialist clinical nurse, … Read More
I think it started with an album of Paraguayan music my parents had when I was a small child. It had a photograph of a market on the sleeve. I loved its colours and patterns and I’ve had a thing about markets ever since. So when we made a Studio Snack … Read More
This is not our final piece for London Bridge, part of 26 Bridges, a project by writers’ organisation 26… My creative collaboration with writer Jonathan Holt has been so rich in ideas that for a while, we had two lines of enquiry running in parallel. This one came from the … Read More
This wasn’t the plan. For the Summer episode of Studio Snack, a food podcast about design that I make with former studio-mate Narcis Sauleda, our experiment has been to create a half-time snack for an obscure sport. I started by redesigning the brief, to make an imaginary edible finish line … Read More
I enjoy the paraphernalia of printers’ proofs. Outside the test of the thing we’re producing are colour bars, information meaningful only to people who know how to get the best out of the job. They’re lovely things in their own right and so are strike offs – textile proofs. I’ve … Read More
I’m curious. So I like to understand what I’m designing and the visual language it should be in. I read the copy. I delve into the subject matter. In many ways, it’s the most interesting bit of a project. For me, it’s important to do some of that away from … Read More
For a creative collaboration (about which, more to come), I had signed up for a workshop at Hausprint with master lithographer Simon Burder, having picked the brains of two printmakers I know. There is so much value in learning in person from people who know their stuff; in experiencing the … Read More
Given an opportunity to be the latest artist on show at The Trampery on the Gantry, a creative workspace in London’s Olympic Park, I’ve had an exhibition to pull together from existing work for its Village Hall and shared studio. I know the space well – I was one of … Read More